Rat Pack Show Pays Tribute to Las Vegas Royalty

by Peter Foldy

What happened to Las Vegas? When I first went there in the 80s it didn’t feel like a city of glass and steel high-rises, a corporate Disneyland. Hotel prices were low, meals were practically free and the atmosphere authentic. There was a vibe of, dare I say it, danger in the air when you sat down at a blackjack table and the stern pit boss studied you with a cold, calculated stare. Mobsters by then were probably mostly imagined, but who knows. Maybe not. Back then, Vegas shows were lavish with topless girls waving feathers. Hundreds of them it seemed. Vegas was pure Vegas. It was fun and a pleasure to experience.

If that felt like the good old days, one can only imagine what it must’ve been like in the 60s when the Rat Pack, Frank Sinatra, Peter Lawford, Joey Bishop, Dean Martin and Sammy Davis Jr. reigned at the old Sands Hotel and sophisticates flocked to see them. Most of them would say it was a once in a lifetime experience.

Those golden years may be a thing of the past but there is good news. “The Rat Pack” is back, and they are currently at the newly named LVH Hotel, (formerly the Las Vegas Hilton).

Produced by Sandy Hackett, son of the late comedian Buddy Hackett, The Rat Pack Show is a fun, nostalgic, musical trip down memory lane filled with comedy, great musical standards and an on-stage camaraderie between the performers that, from the film clips I’ve seen, perfectly mimics the rapport Sinatra had with his old pals.

The show starts with a group performance of “Mack the Knife” followed by some Catskill style comedy courtesy of Hackett portraying Joey Bishop. He is cool, loose, with a confident swagger that almost gives away the fact that he is also the producer of the show.

Tom Wallek as Dean Martin takes the stage and continues to warm the crowd with the old sing-along favorite, “That’s Amore.” He is soon joined by Nicholas Brooks as Sammy Davis Jr. who nails the Sammy vibe with “What Kind of Fool am I,” augmenting it with some cool Sammy dance moves throughout the show.

Dean joins Sammy as they carry on with more music and whacky stage banter. At one point Sammy asks Dean, you like this suit? Sure, Dean replies. Me too, says Sammy. I was buried in it.

The comedy, infact the whole show works because while they are recreating a legendary lounge act of the past, the performers readily acknowledge the present, letting the audience in on the fact that they are not the real guys. Real or not, we buy it; we believe it because we want to. We accept the illusion because these performers are so damn good.

An addition to the program is the excellent Lisa Dawn Miller who appears as Sinatra’s “one love” (implying actress Eva Gardner).  Miller, also a producer of the show, performs “Wasn’t I a Good Time,” a song written by her father the late Motown hit songwriter, Ron Miller who penned classics such as “Yester-me, Yester-you, Yesterday,” “A Place in the Sun” and “Touch me in the Morning.”

Saving the Chairman of the Board’s solo spot for last, David DeCosta as ole blue eyes returns, drink and cigarette in hand as he belts out some Sinatra standards. “A Foggy Day in London Town,” “My Way” and the Ron Miller written Stevie Wonder smash, “For Once in my Life.” DeCosta is once again joined by the rest of the cast as they close with “New York, New York” by this point bringing the audience to their feet.

DeCosta is perfect as Sinatra. He has the nuances down pat and his vocals shine. Nicholas Brooks is almost as charming and sweet as the real Sammy. Wallek as Dean Martin is casual and relaxed with a strong singing voice. A stellar Dean Martin. Master of ceremonies, Hackett as Joey Bishop rounds out this talented quartet.

After the show the performers are happy to pose for picture, sign autographs and sell a few knick-knacks.

“Sandy Hackett’s Rat Pack Show” is about to hit the road. Catch them in Vegas or where ever they appear. Take your significant other, your parents or your kids. The Rat Pack is a fun, timeless, nostalgic evening with superb, uncanny performances and a great synergy on stage that makes the price of admission well worth while.

Lindsay Lohan on SNL

Los Angeles: March 4, 2012

Lindsay Lohan’s comeback as host of last night’s Saturday Night Live proved to be something of a disappointment.  A number of fans and critics alike have panned her performance.  On the show Lohan seemed nervous and unprepared, reading most of her dialogue from cue card which she fumbled on several occasion.  The Los Angeles Times story re her hosting skills summed up consensus with the headline: Fans Rip Hosting Job.

Still we have some sympathy for Ms. Lohan.  It is not an easy task to perform live on television in front of millions of people especially with the less than stellar comedic material which was handed to her.  Lohan clearly felt the pressure and it was obvious that at times the task was slightly overwhelming for her.  Perhaps we should take her at her word when she says she is trying to get her life back on track and cut her some slack.  Not jump all over her as navigates the road back to respectability.   She is a talented actress and like everyone, she deserves a second chance.

Former Teen Idol Kirk Cameron calls Homosexuality “detrimental and destructive”

Los Angeles: March 3, 2012

Former teen idol, Kirk Cameron, is under fire after calling homosexuality “detrimental and destructive.”

The actor who once starred in the sitcom “Growing Pains” is now a born-again Christian and evangelist.  Appearing on CNN’s “Piers Morgan Tonight” on Friday, March 3, Cameron told the host about his position on gay marriage and how he would react if one of his six children turned out to be homosexual.

“Marriage is almost as old as dirt, and it was defined in the garden between Adam and Eve. One man, one woman for life till death do you part, so I would never attempt to try to redefine marriage. And I don’t think anyone else should either. So do I support the idea of gay marriage? No, I don’t.”

On the topic of homosexuality, the conservative actor said, “I think that it’s – it’s – it’s unnatural. I think that it’s – it’s detrimental, and ultimately destructive to so many of the foundations of civilization.”

The Gay & Lesbian Alliance Against Defamation (GLAAD) fired back at Cameron on Saturday.

“In this interview, Kirk Cameron sounds even more dated than his 1980s TV character,” Herndon Graddick, Senior Director of Programs at GLAAD said in a statement on the organization’s website. “Cameron is out of step with a growing majority of Americans, particularly people of faith who believe that their gay and lesbian brothers and sisters should be loved and accepted based on their character and not condemned because of their sexual orientation.”

Scarlett Johansson to Star in “Alfred Hitchcock and the Making of Pshyco”

Los Angeles: March 2, 2012

Variety reports that Scarlett Johansson is now set to play Janet Leigh in the up coming film, “Alfred Hitchcock and the Making of Psycho” at Fox Searchlight.  James D’Arcy has the Anthony Perkins role. Anthony Hopkins will play Hitchcock with Helen Mirren as his wife, Alma.

Sacha Gervasi is set to direct with a script by John McLaughlin. Ivan Reitman, Joe Medjuck and Tom Pollack will produce through their Montecito Picture Company along with Tom Thayer.

Sources report that the project has drawn comparisons to “My Week With Marilyn” with the role of Janet Leigh possibly leading to the same awards consideration for Johansson that the Marilyn Monroe role did for Michelle Williams.  Johansson is expected to do the naked shower scene that cause so much shock and awe when the original film was first released.

Per The Hollywood Reporter, the project earlier spent four years in development at Paramount and is based on the non-fiction book by Stephen Rebello that tracks how Hitchcock, at the height of his game as a director, decided to make a “lowly” horror movie. Hitchcock had to scrounge for financing by himself while the film ultimately became one of his biggest hits and one of the most influential of all time.

This is one we look forward to.

Can a Film Get into Sundance Without Industry Pull?

Hollywood: January 23, 2012

With the 2012 Sundance Film Festival underway in Utah from January 19th through January 29th, we cannot help but ask this question.

Does a filmmaker without a famous last name, without representation by a major agency or a “festival rep” or without having a recognizable name in his or her film have even a remote chance of being accepted by Sundance or by any of the top tier festivals?

In looking at the Sundance lineup this year, it would seem highly unlikely. Sundance is a private club reserved for the famous and the connected.

Sundance should release a list. They should be accountable and tell us how many films playing in their festival were submitted by “civilians.” People without industry connection or access to star power. Prove us wrong, Sundance.

With thousands of film schools around the country promising young filmmakers a career, perhaps they should also be teaching “ass-kissing” as a subject.

We’re just saying.

MARK ELIAS ON “16-LOVE”

Los Angeles: January 23, 2012

In the recently released motion picture “16-Love,” actor Mark Elias manages to do a lot with little. The film’s plot-line deals with “Ally Mash” played by Lindsay Black, a young, female tennis pro, who after an ankle injury, meets up with and begins to motivate “Farrell Gambles” (Chandler Massey), a handsome up-and-coming tennis player who wants badly to be a contender. In the process, the couple manage to fall in love and wouldn’t you know it, by the end of the last reel, Ally is fully healed and manages to win her big match against Russian arch-rival “Katrina Apranova,” well played both on the tennis court and on screen by Susie Abromeit.

While the picture, (rated PG) doesn’t claim to break any new ground or reveal much about teen angst we haven’t already seen in, oh, probably a hundred other movies, “16-Love” is an enjoyable, lighthearted film that is perfect for family viewing.

While the leads handle their roles with charm and professionalism, it is journeyman actor, Elias that manages to grab your attention in his supporting role. His natural unaffected performance got a number of the bigger laughs at the recent L.A. screening at USC. We managed to talk to Elias afterwards and questioned him about his life and career.

HR: You had a strong screen presence in “16-Love.” Funny and natural. Any of your good scenes end up on the cutting room floor?

ME: Actually, yeah I was pretty bummed to see one scene in particular didn’t make the final cut. Chandler (Massey), Steven (Christopher Parker) and I are playing Wii Tennis together and just having a great time. We shot it on the first day of filming and it really helped show our friendship, our bonding. But hey that’s filmmaking. Maybe it’ll make the DVD extras.

HR: Talking of cutting room, you starred in a film of the same name shortly after arriving in Los Angeles. Tell us about how that happened?

ME: I was hired by the director after he saw a short film I did with a mutual friend. He thought I was right for the part and that was pretty much it.

HR: Were you shocked to be offered the lead? Did his investors want a name in the role, like most money people do?

ME: Luckily he and the investors decided to go with me and I think it showed, although there were definite names being thrown around for the role. When I got the call it was a Friday night and I was elated all weekend and then some.

HR: What did you learn on that film, and how did it help your career?

ME: I learned that you can never predict how a scene or a shoot is going to go, so you have to be as prepared as possible and just roll with it. And have fun with it. And play a lot of video games. Lots of video games. Like… Lots.

HR: How did you land the role of “Nate” in “16-Love?”

ME: The audition was a lot of improv and British accents for the tennis announcing scene. It was a fun audition and we given the ability to have fun and create. I was happy it worked out.

HR: How many call backs?

ME: I think I booked it straight from the first audition.

HR: How much of your stuff in the film is ad-libbed, if any, or did you guys stick to the script?

ME: We tried sticking to the script but a lot of the stuff that ended up working was when we improved and got up off the page. Leigh Dunlap, the writer gave us really cool characters to play with so I just took that and ran with it. Developed some aspects of Nate’s personality, like his geek pop culture love.

HR: Where are you from and how long have you been an actor?

ME: I was born in Houston and raised in Philadelphia. So I’m basically a Philly boy. Which generally means trouble! And I’ve been an actor since the first time I tried to get out of trouble.

HR: When did you realize you would have to make the move to L.A?

ME: I quickly realized that being in LA was the right place to be to take an acting career seriously. I can’t put a finger on the exact date but it was very much a feeling of “I’m going to do this.” And began to take it seriously.

HR: What’s the first thing you did when you got here?

ME: The first thing that propelled my career in L.A. was signing up for classes at the Beverly Hills Playhouse. That was the “I’m doing this one hundred percent” moment.

HW: What did your family think when you told them that acting was going to be your chosen career path?

ME: Next question? Ha. I remember it wasn’t an overwhelming feeling of agreement but I knew if I was going to do it, I needed to do it right and do it then, and rely on my family’s “hard work breeds success” attitude.

HR: What are the bigger challenges you face as you try to further your career in Hollywood?

ME: I think a huge step is making it to the next level but in a more specific terms I want to get films made that I’m creating, not just acting in.

HR: So are you planning to write and direct?

ME: It’s something that I’d like to do when the time is right, directing. Writing is quickly becoming an enjoyment that I’m trying to keep as a fun outlet and not “work.” I don’t want to end up caught in chasing the next hot idea and get lost in that tunnel.

HR: You directed a short film called “The Juggler” that had some famous faces in it. Can you tell us about it?

ME: It really started out as a fun exercise and all of a sudden friends of mine were getting excited about it and a lot of them were in between gigs and it just worked out really well. Josh Sussman, Penn Badgeley, Shawn Pyfrom, Aviva, they were all willing and excited to be a part of it. The story itself was sort of a nod to the Chaplin era films, a lead character with no dialogue, an every day guy, based around his girlfriend’s high school party.

HR: Who’s been your biggest influences?

ME: I think as a kid, the actor that amazed me the most was Dustin Hoffman. I saw “Rain Man,” “The Graduate,” “Little Big Man,” and “Midnight Cowboy” in the span of about two days. Also Robert Downey Jr,’s screen presence and unpredictability are great qualities I always try to be aware of. He’s just got his own style of doing things. I’m also a huge fan of Charlie Chaplin.

HR: What are some of the other films audiences might have seen you in?

ME: I was in a little horror film called “Animals” directed by Doug Aarniokoski, and I also have a few other feature projects in post right now. One is called “From the Head” and another called “Favor.”

HR: And on television?

ME: I had a great little part on Justified which is a show with a lot of buzz. I also was recently on The Event and Criminal Minds.

HR: What’s been your favorite role to date and why? On stage or on film.

ME: Most recently, I really enjoyed playing Nate in “16-Love” because it was a great, great feeling to be funny and make the background actors laugh by just doing improv. It was immediate feedback of what worked and what didn’t!

HR: What recent film do you wish you had been a part of?

ME: “The Artist.” I am in love with silent films.

HR: What’s the worst thing about being an actor in Hollywood?

ME: The eyes that roll when you say you’re an actor. Gotta love the cynics.

HR: And the best?

ME: Just being creative and expressive.

HR: What’s your main focus in the coming months?

ME: My feature “Beachwood Drive” that I actually wrote and hope to have shot by this summer.

HR: Describe your perfect L.A. weekend.

ME: VEGAS!

HR: Thanks for talking to us, Mark.

Hugo Leads Academy Award Nominations

Los Angeles: January 24, 2012

The 84th Academy Awards were announced this morning in Beverly Hills. Martin Scorsese’s “Hugo” has the most nominations with 11, “The Artist” follows with 10.

Here is a partial list of nominees.

Best Picture

The Artist
The Descendants
Moneyball
Midnight in Paris
The Tree of Life
The Help
Hugo
Extremely Loud and Incredibly Close
War Horse

Best Director

Michel Hazanavicius, The Artist
Alexander Payne, The Descendants
Martin Scorsese, Hugo
Woody Allen Midnight in Paris
Terrence Malick, The Tree of Life

Best Actor

Damian Bichir, A Better Life
George Clooney, The Descendants
Jean Dujardin, The Artist
Gary Oldman, Tinker Tailor Soldier Spy
Brad Pitt, Moneyball

Supporting Actor

Kenneth Branagh, My Week With Marilyn
Jonah Hill, Moneyball
Nick Nolte, Warrior
Max Von Sydow, Extremely Loud and Incredibly Close
Christopher Plummer, Beginners

Best Actress

Glenn Close, Albert Nobbs
Viola Davis, The Help
Rooney Mara, The Girl With the Dragon Tattoo
Meryl Streep, The Iron Lady
Michelle Williams, My Week With Marilyn

Supporting actress

Berenice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs
Octavia Spencer, The Help

Animated feature

A Cat in Paris
Chico & Rita
Kung Fu Panda 2
Puss In Boots
Rango

Documentary feature

Hell and Back Again, Danfung Dennis and Mike Lerner
If a Tree Falls: A Story of the Earth Liberation Front, Marshall Curry and Sam Cullman
Paradise Lost 3: Purgatory, An @radical.media Production, Joe Berlinger and Bruce Sinofsky
Pina, Wim Wenders and Gian-Piero Ringel
Undefeated, TJ Martin, Dan Lindsay and Richard Middlemas

Foreign language

Bullhead, Belgium
Footnote, Israel
In Darkness, Poland
Monsieur Lazhar, Canada
A Separation, Iran

Adapted Screenplay

The Descendants, Screenplay by Alexander Payne and Nat Faxon & Jim Rash
Hugo, Screenplay by John Logan
The Ides of March, Screenplay by George Clooney & Grant Heslov and Beau Willimon
Moneyball, Screenplay by Steven Zaillian and Aaron Sorkin, Story by Stan Chervin
Tinker Tailor Soldier Spy, Screenplay by Bridget O’Connor & Peter Straughan

Original Screenplay

The Artist, Written by Michel Hazanavicius
Bridesmaids, Written by Annie Mumolo & Kristen Wiig
Margin Call, Written by J.C. Chandor
Midnight in Paris, Written by Woody Allen
A Separation, Written by Asghar Farhadi

PAUL McCARTNEY TO RECEIVE STAR ON THE HOLLYWOOD WALK OF FAME

PaulMcCartney will receive a star on the Hollywood Walk of Fame on Thursday February 9th, 2012, at 2pm.

Paul’s star will be lined up on the famed walk alongside his fellow Beatles, Ringo Starr, George Harrison and John Lennon in front of the historic Capitol Records building located at 1750 N. Vine Street. Presenting the star will be President and CEO Leron Gubler. Other guests have yet to be announced.

Get there early as it is sure to be a mob scene.

WHITNEY HOUSTON DIES AT AGE 48

Los Angeles, February 11, 2012

Whitney Houston is dead.

The singer’s publicist, Kristin Foster, broke the news of Houston’s passing to the Associated Press. No cause of death has been revealed. Houston was pronounced dead at the Beverly Hilton Hotel.

Friends found Houston in her hotel room about 3:30 p.m. and immediately called 911, said sources, who asked to remain anonymous because the investigation is ongoing. Arriving emergency medical personnel found the singer unresponsive, and she was pronounced dead shortly before 4 p.m.

Houston’s self-titled debut album, released in 1985, sold 25 million copies worldwide. In total, she released seven albums and three film soundtracks; a winner of six Grammys, Houston sold over 200 million albums and singles worldwide. She earned 30 Billboard Awards, 22 American Music Awards and two Emmy Awards.

WILL SACHA BARON COHEN BE DENIED ENTRY AT THE OSCARS?

Los Angeles: February 23, 2012

The Academy of Motion Picture Arts and Sciences has banned actor Sacha Baron Cohen from attending Sunday’s Oscars even though he is an Academy member and one of the stars of Hugo, Paramount’s 11-nominated movie and Best Picture contender. The reason given is that word reached the Academy suggesting that Baron Cohen planned to walk the Red Carpet in full costume as his title character in the upcoming Paramount comedy The Dictator.

According to Nikki Fink of the website, “Deadline Hollywood,” The Academy’s Managing Director Of Membership Kimberly Rouch phoned Paramont’s awards staff to say Baron Cohen’s tickets had been pulled unless he gives the Academy assurances ahead of time promising not to show up on the Red Carpet in costume and not to promote the movie on the Red Carpet. The Academy made it clear that, without those assurances, it would not issue him the tickets.

Does this make sense? Isn’t everyone on the carpet promoting something? Our heads spin from hearing the words “who are you wearing” being asked over and over and over again. The red carpet has become a platform to flog fashion designers and their wares. “Who are you wearing”? It’s not even proper grammar.

Sasha Baron Cohen is one of the funniest actors around. If he dons a beard or a costume to walk the red carpet at an event the is clearly designed to promote product we would find it a welcome treat. So very tired of the boring, gushing, salivating that goes on prior to award shows on red carpets. Mr. Cohen’s answer to “who are you wearing” would be the only one we would want to hear. Let him go the awards and do what the Oscars were designed to do. Promote movies.

DAVY JONES OF MONKEES DIES

Los Angeles: February 29, 2012

TMZ.com is reporting that Davy Jones of the Monkees has died of a reported heart attack at the age of 66.

According to TMZ, they have received confirmation from Martin Memorial Hospital in Martin County, Florida, regarding Jones’ passing.

Jones joined The Monkees in 1965 and along with Micky Dolenz, Michael Nesmith and Peter Tork, the band released a number of hits including, “Daydream Believer,” “Last Train to Clarksville” and “I’m a Believer.”